standalone · session

Robin bonus

MACHINE TRANSCRIPT · SELF-TRANSCRIBED (WHISPER ASR) · NOT AN AUTHORISED TRANSCRIPT

Bonus Mackay discussion on 1970s British time-travel children's fiction and imperial amnesia.

Provenance

Self-transcribed from the recording's audio/video with Whisper ASR, then drawn from the frozen curation of the CCRU oral archive. The identifiers below fingerprint the exact source transcript files.

Series
standalone
Duration
00:20:38 (~21 min)
Words
3,411
Corpus cluster
audio-land
Source/billing metadata (unverified)
Robin Mackay, Sean (co-conversant)
Topics
Robin Mackay · British time-travel TV/fiction · empire and amnesia
Source SHA-256 (txt)
784cdcd7ee3af77faa381a287a326414d56dd85a94604f7703c9106fbc14add9
Source SHA-256 (json)
11443173182e88f8f24e2c97beab723876d97d99bb2b6fde0c52f5f36b15da18

Listen

Adjudicated APPROVED 2026-07-11 (basis: stage-1 acceptance ruling — lane open-web-talk approved for opus-only hosting; mp3 tier deferred pending a disk volume). Series: standalone. Source: audio original (.wav).

Timestamped map

These jump targets come from timestamps preserved in the source transcript, so they work as navigational anchors rather than editorially invented section labels. Timings are approximate — they mark where a passage begins, not exact word timing.

  • 00:00:00

    Well, maybe we can cut it off and we can do like a bonus. What did you want to say about Children of the Stones? No, the bit where I really wanted to join the conversation was there was a certain point where Sean was like, why are there so many time travel fictions in British 70s TV and film? And I think that's really…

  • 00:03:13

    And it's also like Doctor Who as well, right? Doctor Who, Doctor Who's always in quarries or like in kind of bleak countryside locations. Does this, it's actually goes back to the, this whole post of Mark's that I was reading where, it was like just when the whole hauntology thing was really kicking off like early…

  • 00:05:50

    But you know what? In a sense, it's the opposite. It's like, it's the, it's not the same thing. It's the opposite because, you know, Ballard's whole, what all of his work is really marked by his childhood experience, right? Of being in this camp during the war and his experience, which he always describes as like…

  • 00:08:41

    There's not like loads of weird time travel stuff in American TV at the time, I don't think, or anywhere else. So maybe it's connected to the fact that like the recent past is no longer legible because you don't have these co-ordinators, right? I don't think, I don't think, I don't think it's connected…

  • 00:11:47

    That's all we need to talk about. Um, and I think that's an, and again, that's why there was for all of it. And I think there's a lot, so there's a lot to, um, rightly make fun of with the hook hook for a folk horror revival was a lot, that one ought to rightly to make fun of with that. But at the same time, it feels…

  • 00:14:36

    Um, I think it's something that Deluz says about children where he, um, there's a great collection. I think it's part of that like Routledge's like Deluz and series of books they have. And there's a recent one called Deluz and Children. Um, you've read about children a lot, but, um, there's this line…

  • 00:17:17

    That's also like an unofficial soundtrack for that. Um, Carl Douglas did, um, guy who's most famous for doing a Kung Fu fighter. Um, and it's like, uh, it's, it's an amazing track, but it's like imagining which find a general that's kind of, I guess now sort of post Sylvia Federici is you see that as of this…

  • 00:20:03

    But yeah, they, they're really fantastic works. Thanks for watching!